Video recording and related materials to “Sola fra’ suoi più cari”, lamento for voice and basso continuo by Orazio Michi.
" />Published: 05.05.2021 Author:
Video recording and related materials to “Sola fra’ suoi più cari”, lamento for voice and basso continuo by Orazio Michi.
basso continuo; arpa doppia; arpa a tre ordini; Orazio Michi; 1600; music in Rome
Realising the basso continuo on the Italian “arpa a tre ordini”
"Basso Continuo on the Harp for “Sola fra’ suoi più cari” (Orazio Michi)".
Forschungsportal Schola Cantorum Basiliensis, 2021.
https://www.forschung.schola-cantorum-basiliensis.ch/en/forschung/basso-continuo-on-harp/sola-fra-suoi-piu-cari.html
(Abgerufen am TT MM JJJJ)
The text of this article is provided under the terms of the Creative Commons License CC-BY-NC-ND 4.0
Orazio Michi (c. 1595–1641): “Sola fra’ suoi più cari”
Mara Galassi, arpa a tre ordini & realisation of the basso continuo
María Cristina Kiehr, soprano
Arpa a tre ordini, copy of the Arpa Barberini, Girolamo Acciari, Rome 1632 by Dario Pontiggia, 2009, Milano (Italy)
Recorded on 4 February 2018
at the Schola Cantorum Basiliensis, Basel (Switzerland), Kleiner Saal
Sound engineer: Oren Kirschenbaum
Video production & editing: Elam Rotem
Project manager & concept: Martina Papiro
Special thanks to: Masako Art, Thomas Drescher, Martin Kirnbauer, Birgit Knab, Isabell Seider
© Schola Cantorum Basiliensis
For a complete list of sources see Ziane 2020b, 278–279.
The proposed realisation of the basso continuo is based on two sources, both preserved in Roman libraries: I-Rc, 2490 and I-Rn, mss. mus. 56. These sources differ in many details, e.g. in ornaments of the solo voice or for the rhythm and notation of the last bars.
Roma, Biblioteca Casanatense, Ms. 2490 , 60v–63r (olim 124–129)
Please see the PDF version to see the reproduction of the manuscript pages.
Roma, Biblioteca Nazionale, Mss. musicali 56, cc. 37v–42r
View the entire MSS mus. 56: http://www.internetculturale.it/it/16/search/detail?instance=magindice&id=IT%5CICCU%5CMSM%5C0014249
The edition of the text is taken from Ziane 2020a, the English Translation from Murata 2013. To distinguish direct from indirect speech, the direct speech is put in italics.
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Sola fra suoi più cari |
Alone among her dearest ones, |
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Galassi & Granata 2020. Mara Galassi & Chiara Granata, “ ‘Tanto che non si potrebbe sentir cosa più bella’. The Harp as Basso Continuo Instrument in Rome at the Time of Orazio Michi”, in: Martina Papiro (ed.): Groß Geigen um 1500 • Orazio Michi und die Harfe um 1600, Basel: Schwabe Verlag 2020 (Basler Beiträge zur Historischen Musikpraxis 39), 313–344.
Murata 2013. Margaret Murata, “Cantar ottave, cantar storie”, in: Word, Image and Song, vol. 1: Essays on Early Modern Italy, ed. Rebecca Cypess, Beth L. Glixon and Nathan Link, New York: University of Rochester Press 2013, 287–317: 311–313.
Papiro 2020. Martina Papiro (ed.): Groß Geigen um 1500 • Orazio Michi und die Harfe um 1600, Basel: Schwabe Verlag 2020 (Basler Beiträge zur Historischen Musikpraxis 39).
Ziane 2020a. Alexandra Ziane, “Orazio Michi: Contemporary Testimonials, Documents, and Work”, in: Martina Papiro (ed.): Groß Geigen um 1500 • Orazio Michi und die Harfe um 1600, Basel: Schwabe Verlag 2020 (Basler Beiträge zur Historischen Musikpraxis 39), 243–272.
Ziane 2020b. Alexandra Ziane, “List of Works by Orazio Michi (c. 1595–1641)”, in: Martina Papiro (ed.): Groß Geigen um 1500 • Orazio Michi und die Harfe um 1600, Basel: Schwabe Verlag 2020 (Basler Beiträge zur Historischen Musikpraxis 39), 273–279.