About us


Research has always been a key element of the Schola Cantorum Basiliensis since it was explicitly founded as an “Institute for Teaching and Research in the Field of Early Music” in 1933.

Today the Research Department consists of permanent staff members, supported by colleagues from the teaching staff, and of research fellows of the projects. An important aim is to connect our research with current issues related to historical performance practice and thus to inform teaching at the Schola Cantorum Basiliensis as well as to interact with the international community of musicology. These efforts are documented by numerous research projects and cooperations and are also aided by the scientific advisory board of the Schola Cantorum Basiliensis.

Luigi Collarile

Luigi Collarile


Forschungsteam «Vicentino21»

Schola Cantorum Basiliensis
Leonhardstr. 6
CH-4051 Basel

Zimmer 8-202
+41 61 264 5645; +41 76 588 6878
luigi.notexisting@nodomain.comcollarile@fhnw.notexisting@nodomain.comch

Dr Luigi Collarile studied in Padua (Laurea in Lettere and MA in Organ), in Basel (Diplom für Alte Musik in Organ at the Schola Cantorum Basiliensis) and in Fribourg (PhD in Musicology). He was research fellow at the Universities of Basel and Fribourg in projects funded by the Swiss National Science Foundation and at the Stiftsarchiv St.Gallen. He taught as visiting professor at the Universities of Basel, Geneva, Roma Tor Vergata, Venice and at the High Music School of Lausanne (in Fribourg). In 2017 he obtained the Abilitazione Scientifica Nazionale (Italy). Currently, he is research fellow in the SNF Research Project «Vicentino21» (Schola Cantorum Basiliensis FHNW) and teaches history of sacred music at the Bern University of the Arts (BFH).

His main research interests concern to the musical life of the early modern Venice, the relationship between music and literature in the Renaissance, the sonic culture  of the Grand Tour, the history of music book. His studies have appeared in international journals (Studi Musicali, Rivista Italiana di Musicologia, Recercare, Revue de Musicolgie, Schweizer Jahrbuch für Musikwissenschaft, Kirchenmusikalisches Jahrbuch etc.) and in several scientific series (Peter Lang, Brepols, Classiques Garnier, Istituto Italiano per la Storia della Musica etc.). With David Bryant he is scientific editor of the series 'Venetian Music Studies' (Brepols) and of the digital platform ‘Venetian Music Online’ (Ca’ Foscari University, Venice).