Cristina Cassia

Cristina Cassia graduated in Classical Literature and Musicology from the universities of Milan and Cremona; she also holds degrees in Piano and Organ from the conservatories of Mantua and Venice. After joining the musicological team ‘Ricercar’ at the Centre d’Études Supérieures de la Renaissance (CESR) in Tours (2010–2013), she earned a PhD in Musicology in cotutorship between the CESR and the Université Libre de Bruxelles (ULB - FNRS). Since 2017 she has been an associate researcher of the CESR, and from 2018 to 2020 she took part in the project Polifonia sforzesca at the Schola Cantorum Basiliensis in Basel. She was a Marie Skłodowska-Curie Fellow at the University of Padua for the project Pietro Bembo’s soundscape (2021-2023). Afterwards, she was a research fellow at the University of Turin and adjunct professor at the universities of Turin and Milan.

Within the TartinianS project, she is in charge of the study and critical edition of Tartini’s didactic writings.